A struggling mother steals her sister’s bracelet to buy a scooter for her son to deliver her delicious pies. However, when it’s stolen, a desperate journey ensues as they scour the chaotic streets of Beirut to find it. Quickly, they become embroiled in the city’s complex sectarianism. As tensions rise and family secrets are revealed, finding the scooter is at stake and so is the family’s unity.



Director Mira Shaib
Mira Shaib is a director known for the award-winning short film, Lilacs (2018), which premiered at Berlinale in 2017. Her first feature film, Arzé, was developed through Film Independent’s Global Media Makers (2018), the Red Sea Lodge (2019) where it won a production grant, and Torino Film Lab (2020). Raised in multi-ethnic, multi-religious family, she lacks a feeling of fully belong to any of the religious sects. The heroine of Arzé is a symbol of her divided nation in her eyes.
Aicha, a Tunisian mother gifted with prophetic dreams, lives in the isolated north of Tunisia with her husband and youngest son. The family lives in anguish after the departure of the eldest sons Mehdi and Amine to the violent embrace of war. When Mehdi unexpectedly returns home with a mysterious pregnant wife with niqab, a darkness emerges, threatening to consume the entire village. Aicha is caught between her maternal love and her search for the truth.



Director Meryam Joobeur
Meryam Joobeur believes wholeheartedly in the transformative power of storytelling and hopes that her films can capture the beauty, complexity and universal nature of the human condition. Her short films Gods (2017), Weeds and Revolutions (2012) and Born in the Maelstrom (2017) screened internationally. Her Oscar nominated short Brotherhood (2018) screened at 150 festivals and won 75 international prizes. Who Do I Belong To is her first feature film.
20-something-year-old Hassan living with his mother and his dog Rambo, is threatened by his landlord, Karem, who wants to evict him. One day, during a physical altercation sparked by Karem’s provocations, Rambo bites him. Hassan embarks on a journey to find a haven for Rambo, his only friend from an unclear threat. Along the way, Hassan gets caught up in a dangerous situation and is suddenly faced with much more than saving his dog as his neighbor and society turn on him. The bond between two reflects the vulnerable who are exposed to the violence.



Director Khaled Mansour
Khaled Mansour graduated from the Faculty of Arts, History Department, Cairo University, at the same time he studied cinema independently. Mansour honed his filmmaking skills by participating in numerous esteemed film labs and markets, where he had the opportunity to connect with influential filmmakers and mentors which enhanced his artistic vision and overall growth. His first feature film, Seeking Haven for Mr. Rambo was officially selected in the 81st Venice International Film Festival.
In northwest Tunisia, young women work the summer harvest. Under the gaze of older workers and men, they flirt, tease, argue. Throughout the day, the workers flirt, steal, love, and sing. While the orchard becomes a theater of emotions, where everyone's dreams and hopes are played out, we catch glimpse of their solidarity and quiet defiance that subtly challenge social boundaries. The intimate emotions played by non-professional actors are captivating.



Director Erige Sehiri
Erige Sehiri is a French-Tunisian director and producer. With her own production company, ‘Henia’, she develops Tunisian author driven documentaries distinguished at Visions du ReeI, IDFA. In 2018, her feature documentary, Railway Men, remained six weeks in Tunisian theaters. In 2021, she wrote, directed and produced her first fiction feature, Under the Fig Trees, which won several post-production awards at the Venice International Film Festival. She then joined the selection of the 54th Quinzaine des Réalisateurs at Cannes 2022.
Salma is a talented baker living alone in a large old house overlooking downtown Amman running an unprofitable home-based bakery, her daughter Farah is a young working mother with marital problems. Their lives are disrupted by the death of Salma’s ex-husband. The funeral takes place at the house of his current wife, Lamia, an aspiring socialite who is obsessed with building her brand online. After the funeral, shocking facts come to light leading to territorial clashes and finally forcing the three women to accept some harsh realities and take control of their lives.



Director Hanadi Elyan
A Palestinian-Jordanian writer/director whose work focuses on the social issues facing marginalized communities from a female perspective. She has previously won numerous funds and awards for her films, which competed in film festivals around the world. She started her film career in Jordan, then established Reel Arab Productions in Dubai. With a full ride scholarship, she earned her MFA in Film Production/Directing from UCLA. Based in Boston, Hanadi is currently an Assistant Professor of Narrative Film Directing at Emerson College.
After the death of her father, 17 year-old Noufissa must go with her mother and live in the mansion of Lalla Amina, the wife of an important Tetouan dignitary. Once there, a close friendship develops between her and Fattouma, Lalla Amina's granddaughter. The 2 young girls promise to share everything and never leave each other. But when Fattouma discovers that Noufissa will soon get married, she will do the impossible not to lose her friend.



Director Mohamed Chrif Tribak
Mohamed Chrif Tribak is a Moroccan Film Director, Screenwriter and Producer. He was born in Larache, north of Morocco, in 1971. Trained within the Federation of film clubs in Morocco, he was a trainee at the FEMIS Film School (Paris). He directed three feature films and at least four TV films for the second national channel, 2M. Time of Comrades (2008) is his first feature drama, followed by Small Pleasures and Journal Intime (2024).
In a windy Somali village, Mamargade makes living by gravedigging. He struggles with the challenges of everyday life. His sister Araweelo is looking for a new home with him after her divorce. Cigaal, his son, sometimes comes up short in the turbulence of the fragile family. A newly assembled family must navigate between their different aspirations and the complex world surrounding them. Love, trust and resilience will power them through their life paths.



Director Mo Harawe
Mo Harawe was born in 1992 in Mogadishu, Somalia. He studied Visual Communication and Film at the Kunsthochschule Kassel. His debut feature The Village Next To Paradise follows his acclaimed short films Life on the Horn (2020), which received an honorable mention at the Locarno International Film Festival, while Will My Parents Come to See Me (2022) was nominated for the European Film Award and won the Grand Prix at Clermont-Ferrand. The Village Next to Paradise was awarded the Atlas Workshops Prize at the Festival International du Film Marrakech.
Filmmaker Areeb has a memory of the moment she visited Gaza for the first time at the age of four, which is infused with her Palestinian mother's smile. Nostalgia for her homeland resurfaced when she discovered a video of young men practicing parkour on Gaza's sandy shores. She reaches out to the parkour team and forms a bond with an athlete named Ahmed. As their relationship deepens, Ahmed reveals the harsh realities of life in Gaza, transforming Areeb's initial curiosity into a profound awareness of the struggles he faces. Their journey becomes an exploration of identity and belonging.



Director Areeb Zuaiter
A multinational filmmaker based in Washington DC, Zuaiter explores art, identity, and social issues. She holds an MA in Film and Video from American University and has won multiple awards, including the Jury Award at Beirut’s European International Film Festival for her debut short, Stained (2004). She has worked at the Associated Press, served as a Goldman Sachs Film and Video Fellow at the Smithsonian’s National Museum of American History, and taught at several Washington DC universities. She also heads programming at the Amman International Film Festival.
Based on the best-selling Saudi fantasy novel by Ibraheem Abbas, HWJN imagines a world where djinn cross a traditional barrier and live unseen among humans. When a human family moves into HWJN’s family home in Jeddah, unaware it’s already occupied by magical beings, his life is turned upside down. Open-hearted HWJN grows fascinated by these newcomers, especially the beautiful medical student Sawsan. As their worlds draw closer, will a portal open between them, bringing harmony or sparking a war? Sumptuous and romantic, HWJN invites us into a realm where anything seems possible.



Director Yasir Al Yasiri
Yasir Al Yasiri is an acclaimed Iraqi director, producer, and writer who has made a significant impact in Arab cinema. He began his career directing award-winning music videos before debuting with Murk Light (2012), the first Emirati film at Tribeca. His feature Shabab Sheyab (2018) premiered at Palm Springs, while 122 (2019) became a box office hit in Egypt. Al Yasiri also served as showrunner for the Starzplay series Kaboos (2023). His latest feature HWJN (2023) opened the Red Sea International Film Festival.
The protagonist tells the story of how his fascination with the underwater world led him to start a business to share its beauty. A person should not give up at the first obstacle he encounters in this life and leave the goal unattainable. The film also highlights the beauty of the picturesque nature and the secrets of the depths in the Daymaniyat Islands.



Director Fahad Al-Maimani
An academic at the University of Technology and Applied Sciences in Muscat, a faculty member at the College of Creative Industries, and a Film Production instructor in the Photography Department. He is an Omani national born in Mutrah in 1988, and a student at the University of Leicester in the United Kingdom. He is a board member of the Oman Film Society. He has directed and produced a number of films that have been accepted into several international film festivals, including the Saudi Film Festival, the Kazan International Festival in Russia, the I.M.A Festival in the United Kingdom.
A soldier is released after being imprisoned for 28 years in exile. He is in extreme despair to the point of seeing hallucinations and committing suicide. His daughter visits him quickly in his humble place. Since the war separated them when she was at the age of 8 months, it is the first meeting for the daughter. When she is about to leave feeling repelled by his irritable demeanor, he stops her and hands her a notebook. The sentences within it changes their relation at once.



Director Jaffer Mohammed Al-Baqali
Jaffer Mohammed Al-Baqali is a Bahraini writer and director who is a civil engineer by day and a filmmaker by night who uses an unfamiliar approach to highlight life’s greatest issues, manifesting human values. He has won many awards in Bahrain, Tunisia, Netherlands, Iraq, India, and the UAE for his film Al Hakim (2020). Before becoming a filmmaker, Al-Baqali worked as an editor and a production designer in Bahrain and beyond.
The film presents the art of Zamat in a documentary format, aiming to preserve this cultural heritage. Named after a key element of Al Zamat-the traditional method villagers use to draw water from underground wells-the film captures the delicate process of the practice and highlights its role in bringing the community together in an artistic and peaceful way.



Director Mohammed Al-Ajmi
Mohammed Al-Ajmi has been working as the Secretary of the Society at Omani Society for Cinema and Theater since 2018 and a media specialist at Ministry of Labor. He directed many short and feature-length documentaries and fiction films including the documentaries like Sohar, Nizwa, Oman is Proud of Us and Minutes Film.